THUCYDIDES CONSTRUCTS HIS SPEAKERS: THE CASE OF DIODOTUS
In a nutshell: there is no way to avoid the conclusion that Thucydides himself is responsible for the most important parts of his speakers’ speeches, that is, that for all practical purposes he composed them.
Seeing One's Way: The Image and Action of Oidipous Tyrannos
To find ours, let us step back once more and examine Sophokles’ use of words. At a glance we notice a great deal of words related to sight in Oidipous Tyrannos . Roughly twice as many appear to us here than in the Antigone. The number picks up once more where Oidipous makes his final appearance in Oidipous at Kolonos. We can draw little more from this than that seeing and Oidipous are connected, fundamentally connected.
Seneca
In two contrasting versions of the play Oedipus, one by the Roman Seneca, (3 BCE-65 CE), and another written about 500 years earlier by the Greek Sophocles (497-406 BCE) there are notable contrasts
Plagues in Classical Literature
It is the aim of this study is to examine the role and function of descriptions of plagues (loimos in Greek and pestis in Latin) in the works of five major classical writers. An attempt will be made to determine the possible influences, impacts and motives of each author in presenting his particular theme of plague.
APOLLO AND HIS PURPOSE IN SOPHOCLES
Apollo actively intervenes in the fulfilment of Oedipus’ destiny through oracles and immanently in the onstage action. Rather than to punish him for any offence, the god’s purpose appears to be to impress upon Oedipus his existential insignificance. In the context of an ordered but absurd universe, Sophocles emphasises the paradox of the moral greatness of a man whose ‘official’ existential value is less than zero.